Brad Pitt, Eli Roth, Diane Kruger

In German-occupied France, Shosanna Dreyfus witnesses the execution of her family at the hand of Nazi Colonel Hans Landa. Shosanna narrowly escapes and flees to Paris, where she forges a new identity ...( read more  read more... )as the owner and operator of a cinema. Elsewhere in Europe, Lieutenant Aldo Raine organizes a group of Jewish soldiers to engage in targeted acts of retribution. Known to their enemy as "The Basterds," Raine's squad joins German actress and undercover agent Bridget Von Hammersmark on a mission to take down the leaders of The Third Reich. Fates converge under a cinema marquee, where Shosanna is poised to carry out a revenge plan of her own...

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645,683 ratings

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88% liked it

250 critics

R, 2 hrs. 32 min.

Directed by: Quentin Tarantino

Release Date: August 21, 2009

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Flixster Reviews (36,260)


  • November 18, 2009
    "Once upon a time in Nazi occupied France..."

    In Nazi-occupied France during World War II, a group of Jewish-American soldiers known as "The Basterds" are chosen specifically to spread fear throughout the Third Reich by scalping and brutally killing Nazis. The Basterds so...( read more)on cross paths with a French-Jewish teenage girl who runs a movie theater in Paris which is targeted by the soldiers.

    REVIEW

    Quentin Tarantino's epic homage to WWII 'men on a mission' films like "The Dirty Dozen" gets his ya-yas out big time in the Herculean task of a revenge fantasy involving the titular band of brothers, a platoon of 8 Jewish American soldiers led by the no- guts, no-glory Lt. Aldo Raine (Pitt, chewing every morsel of cinematic sinew from the bone, in QT's nod to film god Aldo Ray), a Hillbilly from hell, who are out to scalp & kill Nazis while a feverish plan to off the German's military elite - including Hitler ? in a world premiere event at a French occupied cinema run by survivor Shosanna Dreyfus (the beguilingly stoic Laurent), who also wants blood-soaked revenge for the murders of her family by Nazi detective Col. Hans Landa (Waltz, a shoo-in for Best Supporting Actor, as the evil hubris loving baddie here) whose uncanny knack for finding the truth may be his Achilles' heel. Blood-drenched with enough gallows' humor & QT's signature dialogue spewing get the best of the film's intentions in the long run but how can you fault him when this is clearly a valentine to cinema overall. One of the year's best.
  • November 17, 2009
    Beyond bad. Not even much fun to poke out of it. Mélanie Laurent's great however.

    Post scriptum:
    When I left the theater and wrote this I thought it would be evident for any one that this film was plain bad. But turns out it ain't, many of my friends actually quite enjoyed it. S...( read more)o here are a few arguments:

    - I don't see the interest of having two stories totally unrelated to each other within this film. The producer should have grown a pain and told Tarantino to pick inbetween two plots not to go for both. The result of this is that at the end they end up killing Hitler three times. Surely the guy was bad but to the point of needing to be shot, blown to pieces and then burned, just to make sure, that's a bit of overkill. The result is that you cannot build up interest for any of the two stories they canabilize one another.

    - Still on the story side, in as much as I have nothing against the scenaristic idea of killing Hitler, I do have a problem with pretty much all the rest. Frankly, who is to believe that a bunch of renegade Jewish soldiers could ever go around France for weeks without speaking French? In the same way who ever heard of Jewish dairy farmers in Western Europe? Etc. all these huge mistakes accumulated create a totally unbelievable framework that prevented me from appreciating the flick.

    - I really appreciated the effort of using a handful of languages in the film, it is always interesting. BUT for heaven's sake please have someone who speaks the language as well help the director, The result is that Tarantino was certainly unable to tell at what point Diane Kruger and specially Jacky Ido were off when playing.

    - It is understandable that Tarantino wants to break the codes or whatever he wants to do, but sometimes it just goes too far. In particular, the spectator is expected to care about a number of character he knows nothing about and who die tragically. It simply does not work like that.

    I could add a few other stuff, but most importantly, the film is ugly. It looks like it was edited by a monkey under drugs, the set is awful and the image looks like it was dept in milk for 4 days.

    So let me restate what is for me the obvious: this film is crap.

    PPS just remembering this white light makes me puke...

    BTW I've been told that Renoir used to say that humanism in movies was to give every character a reason to act as he dos, bad guys are not doing bad thing because they are bad but because they see it as good for them. For many characters in I.B. this aspect is totally missing, why is Brad Pitt character so anti-German? And it is true for most of the characters (I mean hello, Marcel accepts to burn alive for a love that is barely suggested, that's a bit too much).

    Oh and I forget to mention that I like some brain in my movies (I don't mean brain matter spread on the carpet but intelligence), just a touch, and frankly there is none whatsoever in this one. Come on, a story about an occupation force should have talked to an US director in the naughties. But no nothing. Quite unfortunate that Trantino forgot Melville who he said he loved and who has shot some of the rawest scenes about France during WWII.
  • November 11, 2009
    Time will tell if this is truly Quentin Tarantino's masterpiece, but in the very least it detracts nothing from his reputation as one of the most unique and talented American directors in modern film. What could have been a zany action picture is nearer a triumph of arthouse cine...( read more)ma; what could have been a self-obsessed homage is instead a completely original opus that transcends its inspirations as much as it loves them. The film is too idiosyncratic to be classified and too audacious to be paraphrased. Despite a few apparently unnecessary scenes and the distracting recognizability of Brad Pitt, the film holds together thanks to Tarantino's imitable writing and direction and the Oscar-caliber dexterity of its cast. Tarantino's movies tend to age well because they linger in mind, revealing their genius slowly, and this will be no exception.
  • November 8, 2009
    "You probably heard we ain't in the prisoner-takin' business; we in the killin' Nazi business. And cousin, Business is a-boomin'."
    Its been a while since I watched anything with subtitles, so my eyes were a bit tired :) but otherwise o.k., which I'm glad for because this is not a...( read more) movie you can comment on unless you've seen it twice :)
    "Inglourious Basterds" is an epic by its own right, granted its a complete farce of World War II with no real moral standing, but...it's genius...in a Buster Keaton kinda way.
    And by the by, not ashamed to admit this but truth be told I didn't even know who Christoph Waltz was until this movie, but this performance alone has me fishing to find his previous movies, I mean he was fantastic! If no other member of this cast he stole the show...and ran with it :) If that's not an Oscar nod, then I don't know what will be worthy enough.
  • November 3, 2009
    Inglourious Basterds disappointed me more so than any film in recent memory. This was mainly because, as individual scenes, the film is fantastic. There's no faulting the cinematography, demonstrating Tarantino's best use of colour and lighting. The dialogue is wildly enthralling...( read more) as you might expect. The action scenes are short and brutal, and the acting is very impressive. Most notable is Christoph Waltz, in one of the best performances of all time. He makes a slimy, vicious Nazi, the most likable and charismatic person on screen.

    The main fault of the film is it's complete lack of focus. It's hard to believe that Tarantino has been working on this for 10 years, because it certainly seems like he has adapted a first draft. Plots run parallel, often with the same goal, but never, cohesively, fit together. There's no main character, to take us on a journey or relate to, and the time jumps seem to skip over the most interesting parts of the story. Tarantino just shoves moments in, wherever he feels like. On the arrival of Hugo Stiglitz, we are treated to his name in big bold letters, filling the screen. When, out of nowhere, Samuel L. Jackson is suddenly a narrator explaining Hugo's backstory, something that should have played out in traditional narrative style. This backstory becomes pointless as Stiglitz is simply wasted. As are many characters. People come, people go, the film ends forgetting half of the cast.

    Tarantino seems too obsessed with making "Tarantino" films. He could have sacrificed the whole story about a sole survivor of a family massacre, especially since he did it in Kill Bill. He could have told the story of the Basterds, which he may do in a rumored prequel.

    When it was all over, I felt as though I had watched selected scenes from a 9 hour trilogy of films. Yes, I want more, but this film should have been much less.
  • November 23, 2009
    pitt and roth are great! classic terintino style!
  • November 23, 2009
    awesome Tarantino movie with great actors..pretty brutal and raw..very smart and well made...
    Inglo...( read more)rious Basterds Pictures, Images and Photos"/>
  • November 22, 2009
    Freakin Awesome,I was in the mood for some bllood ,gore and git,I should have known that Tarantino would satisfy all my needs so well.Excellent cast,I was totally surprised to see Mike Myers in this,too funny,I love the sarcastic humor and cutthroat storyline,LOVED it.If you have...( read more)n't seen this I would check it out very soon,HIGHLY recommended!
  • November 22, 2009
    QT's best, most involving, most assured work to date. Pitt owns the dialogue and really runs with it. I got to say, I had a hard time imagining him in a Taraintino flick, but damned, I think this is some of his best acting (his best will always be Meet Joe Black), but the really ...( read more)show stealer is Christoph Watz as Hans Landa. He is so convincing as Landa, and is creepy, and charsmatic and intense and funny, seriously wonderful. The rest of the cast are quite solid as well. I think this has the best camerawork of any of his films. The shots are beautiful, and there's more than one that I would put into the patheon of most beatuiful shots from any movie ever! The movement of the camera is great, and you can really follow the action well. I believe this is the movie he;s been trying to make all his career. In just the first ten minutes alone there's a good 20 or so allusions, homages, references, and cues from different movies but done to make it fit into this story. The score is to die for, and despite the length, 2 and a half hours, you will not notice it. This movie moves and moves and moves. Amazing in all respects, and one of the best of the year and the best of his career!
  • November 22, 2009
    Tarantino cant be touched he is one of the chosen few directors who can make a movie so incredible. No one else can make you feel the way one of his movies makes you feel, and you will never laugh at violence more in your life than you do in a tarantino movie. Everything about th...( read more)is movie is great! MUST SEE!!!!!

Critic Reviews


August 21, 2009
Colin Covert, The Minneapolis Star Tribune

I'm tempted to say Tarantino has done it again, but I doubt anyone has ever done anything like his dazzlingly original World War II movie, Inglourious Basterds. full review

August 21, 2009
Peter Travers, Rolling Stone

Will Basterds polarize audiences? That's a given. But for anyone professing true movie love, there's no resisting it. full review

August 21, 2009
Mick LaSalle, San Francisco Chronicle

The picture contains all the things his fans like about Tarantino -- the wit, the audacity, the sudden violence -- but this movie's emotional core and bigness of spirit are new. full review

August 21, 2009
Nigel Andrews, The Financial Times

Whirled around the floor of a story that goes absolutely nowhere, contains no human verities, has no significant heft as historical drama, yet still proves, now and then, an entertaining piece of Pop ... full review

August 21, 2009
Edward Havens, FilmJerk.com

Amongst all the filmmakers working today, no one inspires more passionate discussion, debate and analysis than Quentin Tarantino. full review

August 20, 2009
Claudia Puig, USA Today

The outcome is gory and glorious. full review

August 20, 2009
Ty Burr, Boston Globe

Inglorious Basterds is an entertainment but an uneasy one; it represents 153 minutes of bravura stalling, after which its creator loses interest and walks away. full review

August 20, 2009
Steven Rea, Philadelphia Inquirer

Tonally schizoid and rife with anachronisms (a David Bowie song on the sound track, out-of-era vernacular), Tarantino's Third Reich folly is utterly exasperating. full review

August 20, 2009
Nick Schager, Lessons of Darkness

Something close to an ideal Tarantino flick, an impertinent and often tasteless epic that rewrites WII history as a fairy tale for gonzo genre kicks. full review

August 20, 2009
Roger Ebert, Chicago Sun-Times

Quentin Tarantino's Inglourious Basterds is a big, bold, audacious war movie that will annoy some, startle others and demonstrate once again that he's the real thing, a director of quixotic delights. full review

View more Inglourious Basterds reviews at RottenTomatoes.com

Comments


  • shivusharma87
    October 20, 2009
    it,s a very hooror
  • SJMJ91
    August 30, 2009
    Inglourious Basterds truly reveals Quentin's love for cinema!
  • hussnainsyedd
    August 30, 2009
    Friendship is not a game to play, It is not a word to say, It doesn't start on March and ends on May, It is tomorrow, yesterday, today and everyday.
  • dsoul
    August 29, 2009
    Inglourious Basterds takes a genre, which you no doubt know so well as there are so many different war movies and does something new and original with it. Tarantino fakes right and he goes left, fakes left and goes right, just when you think you have a pattern figured out he does something completely different. Thats what this fairy-tale is all about. Taking what you know and making it funny, violent and dramatic. Awesome movie.
  • drblood
    August 25, 2009
    This was the worst movie from any genre that I've ever watched. Even those handycam movies shot in somebody's back garden with a bunch of beer guzzling friends are better than this dreck. Yeah, like all America needs right now is another film that makes a mockery out of history and let's them think that they were solely responsible for winning WWII. As if they were even there in the first place! Utter crap from start to finish.
  • ilikemydinohead
    August 23, 2009
    lol, i pronounce it inn-glow-ree-us bass-turds.

    i'd like to watch this movie :O
  • jtjewels1
    August 20, 2009
    I'm going to see it this weekend! XD
  • lahaie4
    June 10, 2009
    August 21 semms so far...I must see Inglourious basterds NOW.
  • Rossjm
    February 14, 2009
    You know what? I thunk Mike Myers might pleasently surprise us. He is good in some of his earlier comic roles (Austin Powers for example) and maybe he can pull of serious. But knowing Tarantino, he will probably be given a funny character, as most of his films have one.

    And I can't wait to see Cloris Leachman. She was excellent in the Mel Brooks spoofs and was good in an episode of Alfred Hitchcock presents.
  • itbegins2005
    September 14, 2008
    I just have one question:

    Mike Myers?

    Really?

Critic ratings and reviews powered by RottenTomatoes.com

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