Early Life
Birth until teens |
 Actor, father and eminent charity wokrer, Colin James Farrell is the youngest of 4 children born to Eamon and Rita Farrell. Colin's father Eamon and his uncle Tommy both played football for Shamrock Rovers (at their Sixties peak they were the Manchester United of Ireland) and it was Colin's early ambition to follow his father into football, and he did show talent.
However, it was Colin's sister Catherine who first drew him towards acting. She'd stay up late watching old movies, and her younger brother would sit with her, revelling in the efforts and attitudes of Brando, Newman, Clift and, interestingly, Ernest Borgnine. His first big crush was on Marilyn Monroe. At 8 or 9, totally besotted with the goddess, he'd leave some of his Smarties under his pillow along with a note inviting her to come down from Heaven to share them with him.
Catherine also provided him with his first experience of stage performance when, at age 12, he watched her play Puck in A Midsummer Night's Dream. When Eamon Jr took up dance lessons, young Colin was also forced by his mother to attend.
During his teen years Colin was a pretty naughty lad, being caught shoplifting, smoking joints and, later, driving over the limit and spending a night in the slam for his pains. One of his school reports claimed he was "getting in too many fights".
At 16, love hit him for the first time (disregarding the earlier Monroe infatuation), when he fell for Amelia, the young daughter of a Portuguese family in Castleknock. It would end tragically when Colin, a serial fighter and consummate gadabout, had over 20 boys at school after his blood, his parents moving him on to Gormanston boarding school.
But this did not prove a solution to the problem. Colin did not react well to the school's stricter discipline. He and his mates were constantly in trouble for skipping classes, spending long lunches drinking at a local pool-hall. Back in the study hall, they'd put on their Walkmans and fall asleep. One day, when he was 17, Colin was grabbed by a supervisor and instead of submitting to the inevitable punishment, Colin threw him against the nearest wall and threatened him in his usual, spectacularly profane manner. Naturally, he was expelled. He remembers leaving the grounds feeling like a rock star.
Australia & Back Again
First taste of acting to getting noticed by Kevin Spacey |
Bowing out of school altogether, Colin took off for Australia for a year, with friends Steph and Paul. They shared a one-bedroom flat on Sydney's Taylor Square where Paul would sleep on the couch and Colin would endure Steph's near-nightly habit over throwing his leg over him and calling out for the girlfriend he so missed. When this happened, Colin would get up and visit nearby gay bar The Judgment, where he'd down a few pints and either read or shoot the breeze with the other lost souls.
At one point, in a case of mistaken identity, Colin was actually arrested for murder. Waiting on tables for spare cash, the boys would also toil for three months in a bank, being sacked together for taking a 4-hour lunch break in the pub. But Colin would also enjoy his first experience of acting. Hanging out at The Performance Place, an open-air amateur dramatics spot in a park on Sydney's Cleveland Street, he made a stage debut of sorts in a play about another Irish renegade, Ned Kelly. It wasn't a good show but, as Farrell said later, it was "perfect for somebody who'd never done more than bang-bang-you're-dead, playing Cowboys and Indians in the back garden".
Returning to Dublin, he took all manner of jobs, waiting on more tables, painting warehouses and , for 8 months, joining a touring troupe of line-dancers, drawn together by a C&W fanatic who wanted to take middle America to the wilds of Ireland. It couldn't last. One day, looking into a brutally honest mirror, he saw himself in Stetson, choker and cowboy boots and realised he didn't respect himself all that much. In fact, all-round his life was a mess. At 18, he spent time in therapy for depression. He found he had plenty to say - "I just vomited for 6 months" - but the therapist, concluding that much of it was down to drink and drugs, simply asked him "You're wondering why you're depressed? Have you read your shopping list?"
Back in Dublin once more, and acting the waster as usual, Colin was persuaded by his brother Eamon (who'd been at him for 2 years) to try acting classes. Eamon himself coughed up the £20 for a first shot at the National Performing Arts School. For the first time in his life he discovered something he liked doing (other than smoking, drinking and chasing girls) and, come 1996, Colin followed his sister Catherine to the Gaiety School of Drama. It was while here that he made his screen debut, scoring a small role in The Disappearance Of Finbar, a low-budget effort concerning the effect on a group of Irish kids when Jonathan Rhys Meyers' Finbar bounces a ball down the road and never comes back.
There'd be another small part while at Gaiety, Owen McPolin's Drinking Crude, a coming-of-age tale with a pumping rock soundtrack, where a Kerry teenager fruitlessly attempts to escape the frustrations of the Emerald Isle. Farrell would appear as the annoying Chick (this was the part that would win him an agent).
Then, in the summer holidays, he'd film the 4-part TV miniseries Falling For A Dancer where an Irish girl in the 1930s falls pregnant by a travelling actor - a problem as she's married another man to escape nun-run hell. Colin would play Daniel McCarthey, the chief suspect when the girl's fierce husband is killed. It wasn't much, but it was enough to persuade Colin to leave Gaiety. He hated it anyway, as ever resenting the authorities and their rules. He particularly hated being told he mumbled too much and would never amount to anything (a theory backed up by his failed audition for the boy-band Boyzone). "I didn't think", he explained later "that I should have to pay £2,500 and take a year out of my life to be told that I was crap".
Some money came in from local print ads and a TV ad for Cadburys, but then, in the summer of 1998, came a real break, a stage role in London. At Gaiety Colin had appeared in productions of Blood Brothers, Lady Windermere's Fan and Philadelphia, Here I Come, but this was the real deal, playing semi-autistic teenager Richard Delamere in Gary Mitchell's In A Little World Of Our Own at the Donmar Warehouse.
It wasn't a big hit, but Colin was noticed, most importantly by Kevin Spacey, there taking a break from rehearsals for The Iceman Cometh in the West End. Spacey was impressed by the youngster and the pair would hang around together, Spacey eventually mentioning Colin to the producers of a movie he was soon to make in Dublin 'Ordinary Decent Criminal'.
Early Career
First roles and partying with the best of 'em |
 Before this, though, Colin had already made a major breakthrough. He'd scored a part alongside Ray Winstone and Tilda Swinton, as their daughter's new boyfriend in Tim Roth's excoriating incest drama The War Zone. And he'd found TV fame in Ireland, in a production as far away as it's possible to be from that bruising familial tragedy. This was Ballykissangel, a long-running soap involving a naïve English priest in a small Irish village and a huge success in Ireland, and in Britain, too. Colin stepped in at its peak, joining for the 4th and 5th series as Danny Byrne, a young kid who's come to stay with his uncle Eamon because he can't get a licence to keep his beloved horse in Dublin. Colin had been surprised to get the part in the first place. After performing badly at his audition, he left Dublin's Royal Marine Hotel feeling "about an inch tall".
After a couple more TV parts, including a tiny one in a production of David Copperfield starring Maggie Smith and Ian McKellen, came Ordinary Decent Criminal. This saw Spacey as a notorious gangster in Dublin (based, like The General, on real-life Martin Cahill), who endlessly evades and taunts the police, becoming beloved of the people.
Things were moving so fast, Colin thought he'd better keep up the momentum and went off to Los Angeles to tout for work. Ensconced at the Holiday Inn, he'd spend each night carousing in the bars of the 3rd Street Promenade. Sometimes he'd return on his own, sometimes with a girl, often with a bunch of strangers. Meanwhile, his agent Lisa Cook was hooking him up with the influential CAA. Colin knew he needed American representation and was glad when they took him on.
He'd probably have been more pleased if he'd known that their roster included Donald Sutherland, Elizabeth Shue, Ed Harris and Cuba Gooding Jr. But maybe not. And that's Farrell for you. He takes things as they come, enjoying them while they last. He's the first to admit that his success was based on connections and lucky interventions, that he skipped "at least 100 rungs of the ladder".
Before he knew it, he was attending parties with Tom Cruise, Nicole Kidman and Brad Pitt. And it made absolutely no difference to him. Where many would have attempted to turn on the discrete charm, Colin was his usual crude, honest and entertaining self. At one party, when his agent's assistant admitted she'd never seen an uncircumcised penis... well... she has now.
Returning once more to Dublin, Colin finally got a call for an audition. This was in London for a low-budget picture to be directed by Joel Schumacher, the man behind Batman And Robin, 8mm and A Time To Kill. Colin was the 41st and last actor to be seen and, as he was late, Schumacher was preparing to leave as he turned up. They spoke for some 5 minutes and the director asked him to send an audition video and he'd judge him on that. Yeah, right. Recalling the incident Farrell says he thought "Well, fuck that fancy director. That's a plane ticket wasted".
Back in Dublin, Colin studied the part he was chasing and his sister Catherine filmed him in his flat in Dublin's Irishtown. He sent it to Schumacher and, 2 weeks later, got a call saying "Wanna make a movie?" Soon he was off to Florida, enduring 2 weeks in boot camp as he and his fello w actors in Tigerland learned what it was like for new recruits in 1971 training to go to Vietnam. He picked up the requisite Texan accent by flying to Austin and hanging out at the Golden Spoke bar, watching the Country bands and chatting to the locals.
And then there he was in Tigerland as Bozz. It was an eye-catching role, not unlike Jack Nicholson's McMurphy in One Flew Over The Cuckoo's Nest and, though the movie did not receive a major release, it was a critical success, with Farrell being lauded as Best Actor of the year by the Boston Society of Film Critics. Schumacher had taken a risk when casting this unknown but was proven correct, and Farrell gracefully credits him as the author of his own success.
Career On Fire
Movies, movies, movies and marriage |
 Now hot property, Colin starred as Jesse James in American Outlaws, a post-Young Guns roustabout that pictured the James and Younger gang as a kind of pistol-totin' boy band. He also got married. Having met actress Amelia Warner, daughter of TV actress Annette Ekblom, at a party where she was promoting Quills, the couple enjoyed a rollercoaster romance before marrying in July 2001. Everything looked perfect. She'd won the title role in a TV adaptation of Lorna Doone, he was Hollywood's Next Big Thing. But they were too young (he was 25, she'd just turned 19) and by November had filed for divorce.
After American Outlaws, Colin moved on to bigger projects. First came Hart's War with Bruce Willis. He was Lieutenant Thomas Hart and it was another stand-out role for Colin and a fun shoot. Growing more confident by the minute, at one point he noticed Willis sometimes had a problem with his lines and joked "You better go home and get an early night - you have a word to learn tomorrow". To which Bruce replied, in his Bruce-like way, "Fuck you, you Irish pussy". The pair got on well, Willis lending colin his jet so he could attend the Dublin Film Festival.
Just 4 days after Willis came Cruise, Spielberg and Minority Report. Colin provided an over-the-top enemy in Detective Danny Witwer, pursuing Cruise with relish as he's (to begin with anyway) quite evidently the guy who set him up.Of course, Minority Report was a big hit, Colin's first, and, despite having terrible trouble with the line "Surely you understand the fundamental questionability of Pre-Crime methodology?", it was a great experience.
Now came Colin's wonder year, 2003, when he appeared in no fewer than 6 movies. First came The Recruit, where he played brilliant young CIA operative James Clayton. It was another big hit, blowing away Brad Pitt's recent espionage drama Spy Games, and fully justified Colin's new price tag of $5 million. Next was Daredevil, one in an increasingly long line of comic book adaptations, where Ben Affleck played Matt Murdock, the blind man-come-superhero. Of course, such films are made or broken by the quality of their villains, and Colin made a superbly flamboyant Bullseye, the shaven-headed and ultra-intense assassin who can kill with anything - including peanuts and paper-clips.
After this came Phone Booth, which reunited Farrell with Joel Schumacher. The film had been some time at the pre-production stage, with both Jim Carrey and Will Smith mooted for the lead role. Then, set for release in November 2002, it was held up by the furore surrounding the real-life Washington snipers. Colin was excellent in the part as a slick New York publicist who answers a ringing pay-phone and is told if he hangs up he'll be shot, a red laser spot attesting to the gravity of the threat. Amoral, arrogant and utterly smartarsed, he has to somehow talk his way out of trouble. The movie was shot in 12 days, with Colin in pretty much every shot - a dream role.
There'd be yet more Schumacher later in the year when the director drafted in Colin to play Spanky McSpank (along with Cate Blanchett) in his biopic of Victoria Guerin. After this there was SWAT but despite the fame and the big money, Colin stayed true to his roots. Even his family has noted that his Irish accent grows even stronger when he's away from home. He loves to party but, despite being linked to the likes of Britney Spears, Demi Moore and Maeve Quinlan, he was more likely to be seen drinking with his family than hob-nobbing with the stars.
And this reflected in his work-choices, too, when he returned to Dublin to film the crime drama Intermission. Then came A Home At The End Of The World, produced by Tom Hulce and written by Michael Cunningham. Working for scale, Colin here played a fellow who's seen his whole nuclear family die one by one and is left feeling an overwhelming need to be loved, which is manifested in his constant efforts to help, heal and comfort. No one around him understands this, though, so massive complications arise when he gets too close to his gay best friend Dallas Roberts and flatmate Robin Wright Penn. The tabloids, naturally, would go nutso over rumours that nude scenes had been cut from the film because test audiences had been too distracted by the sight of Colin's penis.
Most male stars would shy away from non-hetero roles, but Colin now proved himself to be utterly fearless when taking the lead in Oliver Stone's $150 million epic Alexander, based on Robin Lane Fox's book and a biopic thats rapid production caused the cancellation of a rival Baz Luhrmann/Leonardo DiCaprio effort. The plot was interesting, the battles stupendous, but the movie was not a hit and reviewers were not kind.
Undeterred, Colin would continue to maximise his potential by working only with the most revered writers and directors. Next he joined up with Robert  Towne for Ask The Dust, a project the famed author of Chinatown had been working on for 30 years - fruitlessly until Tom Cruise and Paramount stepped in to help. Colin would then return to the epic genre with Terrence Malick's The New World, which concerned the torrid lives of the British settlers in 17th Century Virginia.
Since Then
Up until now and at present |
Amidst all of his success and movie making Colin became a father to son James in 2003. He has since starred in Miami Vice, Cassandra's Dream, In Bruges for which he won a Golden Globe, and 2008's Pride & Glory. He will be appearing in many productions for 2009 including the highly anticipated 'The Imaginarium of Doctor Parnassus'.
Given the quality of his work and the scale of the projects now offered to him, it's evident that Colin Farrell will be around for a long time yet. |
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